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El cubo pelicula2/18/2023 ![]() ![]() Speaking of the Devil, it’s possible he makes a cameo appearance during a scene when Aalbert visits the local pub. The helplessness of childhood is conflated with that of dreaming, and the film’s hollow soundscape - which collects a full orchestra of Foley work into an ASMR track so unnerving the Devil would use it as a meditation - dulls Mia’s determination to resist. ![]() The girl never complains, not even when a creepy dentist arrives to fit her for new dentures. Prisms of color provide their own kind of magic for Mia, who lives in a purgatorial fairy tale so Grimm that the red wool coat Aalbert gives her might as well be a sign from God. (Peter Strickland fans will recognize a kindred spirit.) It would be more productive to focus on the seductive pull of the water in a film preoccupied with the way that light bounces off and refracts through clear surfaces, as Jonathan Ricquebourg’s chiaroscuro cinematography lavishes attention on ice teeth and the rims of wine glasses. Who is the fair-haired woman (Romola Garai) watching helplessly from a nearby footbridge, and why does one of her cheeks appear to have been chewed apart by a wild dog? These may not be the most helpful questions to ask, and Hadžihalilović’s giallo-inflected visuals encourage you to accept the mystery. Mia is a vintage Hadžihalilović heroine, and only becomes more so when a rare stroll along the gray banks of the lake near her apartment ends with the girl face-planting into the water as if trying to merge with her reflection. Hadžihalilović’s slim and immaculately strange body of work has long been rooted in themes of innocence lost - the friction attendant to over-supervised children as they develop their first taste for adult independence - and “Earwig” certainly provides more acrid grist for that particular mill. It would be unwise to presume too much about what happens (all interpretations are fair game), and perhaps even unwise to use the word “story” at all. The result is an impressionistic film that flirts with slow cinema on its way towards something more incantatory a film that doesn’t want to lull you to sleep so much as it wants to lure you into a place so dark and dreamy that you can no longer be certain that you’re still awake. ![]() Those eerie phantasmagorias were the latest Marvel installments compared to the plotless “ Earwig,” which she adapted from Brian Catling’s surreal novella with all of its 2+2 = cockroach storytelling intact - and then some. 'White Noise': All the Details on Noah Baumbach's Film Starring Adam Driver and Greta GerwigĬannes Platforms Early Best International Feature Contenders Like 'Decision to Leave'īoth of Lucile Hadžihalilović’s previous features adhered to a liquid sort of nightmare logic (especially 2015’s “Evolution,” about a small French island on which all of the mothers have starfish-like suckers on their backs, and perform strange procedures on their sleeping preteen sons every night). 'Luckiest Girl Alive' Review: Mila Kunis Leads Shaky Assault Survivor Story New Movies: Release Calendar for October 7, Plus Where to Watch the Latest Films Sometimes the telephone rings, and a snakey voice on the other end of the line asks two simple questions: “How is the girl? And how are the teeth?” At night, he holds a glass up to the girl’s door in order to listen to her sleep, or perhaps just to hear something other than the refrigerator that hums to itself through the walls. Aalbert is careful not to touch her, or to let her out of the house unsupervised. ![]()
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